Darkness
Chapter 4 of 4
MHaydnOur story comes to its inevitable ending.
Reviewed4. Darkness
“I was making progress against those Malfoys. I was building a good case. Then, the supervisors went ape-shit over a few protective wards and I was reassigned to the Parkinsons and the Malfoys were given to Padma Singh who couldn’t handle the criminal proceedings and proposed some namby-pamby community service. Now, as regular as clockwork, those slimy gits sacrifice some retard who’s thrown into prison faster than you can say ‘Bob’s your uncle,’ and the government is happy and Padma is the girl of the hour and the Malfoys go scot free.”
“It doesn’t seem fair,” said Severus.
Theo was thinking that, of course, Cho could spout some female spite. Big deal. Well, he would show them that back story could have bite.
He supposed it was his fault for being in this predicament. He had fallen into the trap of many whose vocation was risky and unpredictable: a few select routines, of no apparent consequence, that gave his life structure. Everyone knew a dark stranger spent the early evening relaxing over café au lait at a modest outdoor café. Thus it was that a lady had arrived who acted as if she was from his past even though he could not recall her. He wasn’t certain he wanted to, especially since she seemed put out that he didn’t recognize her, and he was of the opinion that people were more eager that one remember an injury they wanted to redress than a favor they wanted to repay. Whatever wrong he had done her, she appeared more interested in general conversation about abstruse things. Had they been fellow academics in a previous life? Was she being patient in preparing a very cold dish?
He was thinking that he should avoid this Mrs. Weasley, as she called herself, but whenever he was downwind of her, his nostrils would flare and he had the urge to impregnate her. He wanted it to happen as she was looking into his eyes, aware of what he had done to her and having the realization give her an orgasm that drained her.
In his less dark moments, he thought he should just bite her.
Ah, the excesses of youth and their search for excitement, thought Biff. Speaking of which, let’s see what the editor wrote for her experiment in dialogue.
“Henderson from Department of Mysteries believes duality rules magic.”
“In what way?” asked Severus.
Mrs. Weasley perked up. She wouldn’t even try to mention this to her husband. She said, “He thinks every spell has a counter-spell.”
“Does the counter-spell undo the original or does it cancel it?” asked Severus. “It’s possible to untie a knot, but it’s not possible to tie another knot that undoes it.”
“Arithmancy,” said Mrs. Weasley. “If there’s an answer, it probably lies in the structure of things. But Henderson doesn’t do Arithmancy; he’s a scholar cataloging spells and their antithesis.”
“Even if he doesn’t get to the heart of the matter, he is likely to come up with some good information,” said Severus.
Mrs. Weasley gave a sad smile. “Maybe there’s a spell that undoes scholarship.”
He gave her a questioning look.
“My in-laws have been making remarks about my being an aloof wife,” she said.
Severus shook his head in polite disagreement and asked, “How can they think that?”
“They think I studied too much at school, and I haven’t reformed, that I can’t reform and become more human.”
Severus was looking into serious, concerned eyes. “But you were preparing yourself, weren’t you?”
“Yes,” she said, “for the type of life I wanted.”
“And the type of person you wanted to be with,” added Severus.
“Do you think so?” she asked. “But look how it turned out.”
Mrs. Weasley changed the topic. “Do you think there’s a counter-spell for that monstrosity in the Parkinson pantry?”
She couldn’t resist teasing him and asked, “Do you think it can be canceled or will it have to be undone?”
The breeze had carried the aroma of a married woman who did not know she was flirting. ‘Something to sink his teeth into,’ as they say. Severus sat silent, not daring to smile at the risk of revealing his true nature. Nor did he dare stand at the risk of revealing his true state. He would burn this witch at both ends.
The editor could no longer persist in a style of writing that had no subtlety.
Come through for me, Biff, prayed the editor.
Some day in our lives
There will come a time
When we can relate Severus’s tale
That proud grand moment
When he faced the test
Of raving curses cast by the best
A strangely transformed
Cruel strong monument
Of clever spells cunningly wrought
How bravely he stood
Where no other dared
Waving his wand weaving magic
And we should not look
Into the reason
For the brave stand of this one man
We leave it to others
To shamelessly tell
The dark secret that served him well
For a heart bled out
The absence of hope
Is no reason to not go on
He was more than brave
No longer human
When full circle he faced himself
For his amusement
He performed the deed
That set him free from all others
In a grand display
He betrayed himself
Became the thing he now destroyed
He vanquished the bounds
That did guide his way
That gave him hope that kept him sane
From this time forward
No one would approach
The baleful wizard that all now feared
How shattered the life
How empty the soul
At triumph’s door when all alone
Cho was certain Biff and the editor had gone off their trolley. It was a warning about pursuing a life of publishing. Or a warning about being too professional. This place could use some hanky-panky. She knew she could.
Mrs. Weasley was proud of herself when Severus agreed to take on the Parkinson Pantry Problem. She nodded with satisfaction when he declared it a multi-layered ward. She had second thoughts when removing the first layer blew out all the windows. She had doubts when removing the second layer vaporized the ceiling and roof. She began to worry when removing the third layer destroyed the back of the house. She became frightened when removing the final layer punched a hole in the face of the Earth. She was nearly hysterical when the last ward sputtered out. And when Severus turned to her and calmly said, “I hope this place was insured,” she was terrified that the exercise had deranged his mental faculties.
She insisted on escorting him home, convinced that his amusement over her concern was proof that he had been psychically damaged.
At his flat, she spread several quilts in front of the fireplace and started a fire, and knowing it was essential to keep him warm and supply him with human company, she stretched out beside him and, to be on the safe side, snuggled against him. She graciously accepted his stroking her hair and telling her that her moral support had been essential. Humoring him was the first step in the healing process. His making her feel more relaxed and comfortable and warm than she had ever felt was a sign that he was regaining his humanity, making her so relaxed and comfortable and warm that Mrs. Weasley fell asleep in his arms.
She easily convinced her department that Severus needed constant attention to regain his balance. No one wanted a raving Dark Wizard. Her husband and his family merely shook their heads and muttered about her being too dedicated to her job.
It was their second time when he said, “Make love to me.”
Mrs. Weasley did. Tenderly. As she had never done before. As she wanted to do more and more as she realized she was losing him. And as he slipped deeper and deeper into darkness, she became more and more human. Mrs. Weasley never felt more human than on the day she came for him as he made her pregnant.
END
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Latest 25 Reviews for Shard
7 Reviews | 10.0/10 Average
Love the changeable, challenging contributions of each, each one's different singular penned contribution and revelations on Severus, Mrs Weasley and reflections on all the characters. The poem was subtly *profound*, and Biff definitely came through for the editor, creating such lovely poetry... Severus' vampirism, the origin and exploration of it, along with the subtle and steady theme of impregnation--quite enticing on a metaphorical and literal level--is quite powerful, coming seemingly full circle, with both Theo's back story and then was quite lovely and moving with Cho's culminating conclusion... The editor's dialogue scene is enticing as it touches upon and elicits reactions from both the character and reader--the notion of being human and what that entails, on several levels... It is a lovely duality that through his actions (his perceived darkness of himself, it dawning on her and the need/desire to save him, her awakenedness and ability to make love to him), she has metamorphed, conception occurs, and feeling alive is experienced as never before (enjoyed her proving her in-laws wrong and being, at long last, 'permeable' for Severus and for herself--lovely, lovely work! As always, looking forward to more!
Response from MHaydn (Author of Shard)
A deep analysis of a sparse, possibly underwritten, narrative. A low-key vampire acts as an enabler: Lavender lusting after jewels; Pansy being her parent’s daughter; Padma seeking passion and business opportunities; and Hermione desiring intelligence, power, and darkness.
His willingness to perform a heroic deed thrills Mrs. Weasley, but its commission terrifies her and pushes him over the edge.
The experience does bring her out.
(“But what if a chappie doesn’t want to be ‘brought out’?” as Bertie Wooster might say.)
She is now the very human companion of a creature who is intelligent, powerful, dark, and doomed. It makes one think that if Tom Riddle had been able to control his dark side, he would have been perfect for her.
Another fascinating and particularly profound chapter... 'No mere wizard could match the female mind for twisty and raunchy.'--HA!Each and every scene with each specific point of view of the different contributors being added on is truly wonderful, piquant, and quite a pleasure to read and experience. The last vignette, in particular, culminates and is resonant of manifold impressions, climaxing with '(...) and all once thought gross shall be beautiful, and all once thought lost shall be found.' Your poetical prose and insight is quite breathtaking. Thank you for your continued evocative writing, as always
Response from MHaydn (Author of Shard)
Thank you very much. Yes, there does appear to be rivalry between Theo and Cho. The last soliloquy asks a lot of site admins since it uses commas in the old-fashioned manner of indicating phrasing instead of following syntax. Some of the soliloquy deliberately does not scan - it does not let the reader skim through it quickly and easily.
Response from nagandsev (Reviewer)
I love your usage of the commas as I personally (and in real-life professionally) feel punctuation is a vital emotive symbol system... vital to the rhythm, forcing the reader to experience those pauses and the human need behind them, in between the phraseology or word(s). The last soliloquy, the unique phrasing, the intense commas, caused something to build and snap within me and tears to flow... Each time I read it, so... It leaves me speechless in its exquisite intimacy yet universality of what is conveyed. I, for one, am so glad that it does not scan and does not let the reader skim through it quickly and easily--I've probably written it before, but one of the many things I love about your writing is each and every deliberate, exquisite usage of the language/punctuation--again, I have an emotive reaction to commas (or the lack of them), dashes, ellipsis, full stops, etc. For me, language and punctuation reflect a mental and physical flow, emotions, and communication of need/intentions/action-reactions... And your delicate and intriguing usage of them makes me squirm with delight. Okay, I'll stop gushing now, but, as always, looking forward to more!
Response from MHaydn (Author of Shard)
Thank you very much. Yes, there does appear to be rivalry between Theo and Cho. The last soliloquy asks a lot of site admins since it uses commas in the old-fashioned manner of indicating phrasing instead of following syntax. Some of the soliloquy deliberately does not scan - it does not let the reader skim through it quickly and easily.
Response from nagandsev (Reviewer)
I love your usage of the commas as I personally (and in real-life professionally) feel punctuation is a vital emotive symbol system... vital to the rhythm, forcing the reader to experience those pauses and the human need behind them, in between the phraseology or word(s). The last soliloquy, the unique phrasing, the intense commas, caused something to build and snap within me and tears to flow... Each time I read it, so... It leaves me speechless in its exquisite intimacy yet universality of what is conveyed. I, for one, am so glad that it does not scan and does not let the reader skim through it quickly and easily--I've probably written it before, but one of the many things I love about your writing is each and every deliberate, exquisite usage of the language/punctuation--again, I have an emotive reaction to commas (or the lack of them), dashes, ellipsis, full stops, etc. For me, language and punctuation reflect a mental and physical flow, emotions, and communication of need/intentions/action-reactions... And your delicate and intriguing usage of them makes me squirm with delight. Okay, I'll stop gushing now, but, as always, looking forward to more!
Another yay! The editor and Biff are back, I do so love each one's insight and varying styles of writing and input and vision--yes! Vampires, yes! Vampire, Severus, yes! Enjoyed Cho's and Theo's further contributions and elaborations on the origin, in particular, the 'saving grace versus character defect' insight about Severus, as well as reflecting on how much romance in his soul he had, indeed... Regarding the length, I'd reached the end of the chapter wishing for more! More Pansy, as lengthy as you wish, and all of the others--looking forward to more!
Response from MHaydn (Author of Shard)
Thank you. The chapter is about two people in transition: the other side of Pansy and a Pansy who is deciding to be her own person; Severus transforming with hints, as from the goblin and the seduction of Pansy, about what is inside. At any rate, glad you enjoyed a slightly different Pansy.
Yay! Cho and Theo are back! This has my imagination going wild--immediately thought of Genghis-Khan-like-blended-with-Babylonian-mythological creatures in the first section, and then the wonderfully kooky and enticing dynamics between Lavender and a vampire-Severus! Looking forward to more!
Response from MHaydn (Author of Shard)
I am in envy of your imagination, not to mention scholarship. The Babylonian creation myths look fascinating even though I had already decided on a clumsy plagerization of 'Journey to the West' for the obligatory background.
Response from nagandsev (Reviewer)
Oh good grief... What have I been missing out on? I've read Japanese folktales, and I vaguely remember some Chinese... but never even adapted English variants/versions, such as Arthur Waley's Monkey... just I'm ashamed to write that I have never read 'Journey of the West' ... although I love oriental literature, as I've come across translations over the years, but it is now on my list for immediate novels to read! So thank you for sharing the reference! Is there a particular translator's version you could recommend? W.J.F. Jenner or Hu Shih or Anthony C. Yu or ...? More new worlds to be discovered :-)
Response from MHaydn (Author of Shard)
Oops, a late response since I hadn't noticed your reply. You overestimate my scholarship. As it happened, I remembered my copy of 'Journey to the West' had a long-winded intro, but when I wanted to plagerize it, I discovered I had misplaced it and was forced to be creative. :(
yea! Vampire Severus is back, and in fine form I see.
Response from MHaydn (Author of Shard)
Glad to hear you are glad to see him back. This story will look at his origin.
A very novel way to become a vampire, but is he a true vampire yet, has not been blooded, will Pansey be his first? Can't wait for more.
Response from MHaydn (Author of Shard)
Thanks for the review. Apparently, this novel way of becoming a vampire produces a slow transformation. In the meantime, he is experiencing feelings that he previously was incapable of. The first chapter describes him further along in the process, and we know he sampled Lavender. (And she was delicious.)