Third Version
Four Versions of June, 7th, 1957
Chapter 3 of 4
graou"Albus Dumbledore discovered Minerva in tears in her classroom late one evening, after she found out about the marriage of Dougal McGregor to another woman. She confessed the whole story to him, and Albus Dumbledore offered both comfort and wisdom, telling Minerva some of his own family history, previously unknown to her. The confidences exchanged that night between two intensely private and reserved characters were to form the basis of a lasting mutual esteem and friendship," says JKR. This is a development—actually, four possibilities, one per chapter, of how it could have looked, sounded, felt like to a younger Minerva McGonagall and a less ancient Albus Dumbledore.
ReviewedThanks to all those who are still reading. The fourth version is coming, and I think it is my favourite.
Also, my sister, who studies cinema, is planning on making a short movie using the plot of the First Version. A kind of "fanfilm". It sounds very exciting to me. I will post a link if we really do it.
THREE
Seasons came and went at Hogwarts School of Witchcraft and Wizardry. Albus Dumbledore had been there for many years, and the successive winters and summers began to blur after several decades. This year, though, had brought its share of novelty in the teaching of Transfiguration at Hogwarts and in Albus Dumbledore's routine.
Change had come in the form of a letter, interrupting a long evening of the previous December. Young Minerva McGonagall had been writing, which was always a pleasure. It did not seem that she was enjoying her work very much, at the Ministry, but he liked to read about her life in London, about her thoughts and reminiscences of her time as his student. Albus Dumbledore had always had a soft spot for Miss McGonagall and had very fond memories of her training to become an Animagus. This letter, however, had been different. Minerva McGonagall wrote to inquire about a position at Hogwarts.
There was no vacancy at that time. Yet, he could not think of a better successor on the Transfiguration post, and he had been there for a long time - maybe it was time to inject new blood? He was reasonably sure that on his recommendation, the Headmaster would agree to the advantage of training a young Transfiguration professor under Dumbledore's tenure. And Minerva McGonagall's skills were common knowledge. It was only a few days until the next meeting of the Board of Governors. Albus Dumbledore decided that, sometimes, time to dwell upon a decision was superfluous. And he stood up.
A few weeks later, he was waiting for Minerva McGonagall at the gates of Hogwarts. When he caught sight of her, walking along the path, no luggage apparent, he walked to her. He noticed that she hesitated before extending her hand to him. He bowed, took her hand delicately in his, held it, and kissed it lightly.
"Welcome back to Hogwarts, Professor McGonagall," he said.
Albus Dumbledore believed that her cheeks had grown slightly redder than they had been a minute before in the cold Scottish winter, but she looked more pleased than ill-at-ease with her new title.
The former Head Girl was welcomed and accepted quickly by the rest of the faculty. She was a beautiful woman and a powerful witch. Albus Dumbledore watched her integrate promptly, and he acknowledged the changes in her appearance. There was something strong in the lines of her face, that he could remember from her adolescent years, and something stern, that had probably developed later, mitigating the fiery gaze, like an afterthought.
They taught in adjacent classrooms, and he often went to see her in the evening when she did not come to his laboratory and ask about his progress in demonstrating the tenth use of dragon blood. Albus Dumbledore liked this sharing of duties more than he would have thought, and he had not had so much time for research in more than twenty years...and that was when he had been stuck for a few months in a cottage with his brother's goats... well, a different situation, anyway. He could feel that this equilibrium would meet an end after a few years, if only because she would wish to progress to full teaching responsibilities. And he did not know what the next opportunity would be, which path life would open for him...but he appreciated this situation like a breath of fresh air in between the long years of his life.
That evening, he walked to her classroom, happy with his work, eyeing the nice summer weather through the windows. He knocked and nobody answered. He was about to go back when he thought he heard something from the other side of the door. It sounded like a sobbing child. He listened on, but could hear nothing more. Albus Dumbledore wondered whether he should intervene. In doubt, he cast a charm and a patch of the wall became transparent.
But there was no student. Only Minerva McGonagall. She was crying. Severe, restrained Professor McGonagall was bent over her own desk, sobbing voicelessly. Through the blur of the enchantment and behind her hands on her temples, he could see her face wet with tears but her eyes dry, as if she had been crying for too long and there were no tears left in her.
Albus Dumbledore felt that he was intruding in something nearly indecent, and he lifted the charm promptly. Somehow, Minerva McGonagall's grief felt a lot more private than that of a student to him. He hesitated. But then he knocked again and immediately unlocked the door in a whisper and pushed it open before he could ponder what he was supposed to say or do once he would be inside the room.
Minerva McGonagall looked up. She felt caught in flagrance, that much was apparent.
"Oi, Professor, I am sorry, I thought I was alone. I... just give me a minute and I will be ready..."
She looked like a student in that instant. Just a few years younger than she actually was. He remembered their evening sessions during her sixth and seventh years.
"Don't apologize, Miss McGonagall, Minerva. I, if anybody, should be sorry for marching in on you like that. This is, after all, your classroom, Professor."
She smiled weakly.
"But what happened?" He saw the letter in front of her. "Did you receive bad news?"
"I... Well, this is not exactly the kind of story I expected to..." She sighed, "oh, well..."
Albus Dumbledore stepped closer to her chair and patted her shoulder. She leaned on him, her head resting on his sternum, and had he had any doubt, Dumbledore would have known then and there that Minerva McGonagall was not herself that evening.
"I am being silly, Albus," she said, "crying about the past..."
"Are you?" Albus Dumbledore conjured an armchair and sat next to her. Then, he frowned at her own wooden chair, and she suddenly fell back on chintz cushions. She glared at him briefly, but he could tell she was at least somewhat amused. She still carried in her the girl she had been, close to the surface. He wondered how much longer he could afford to do that before she became too much of an adult. He wished it would not change. People seemed to grow up at an alarming rate, as he grew old himself, and they went on to become unsmiling, self-important ministry officials quicker than a professor could congratulate them for their NEWTs.
Minerva McGonagall dabbed her eyes with a handkerchief and sniffed. Dumbledore looked at her sadly.
"Do you wish to talk about it?"
"I don't know," she said and seemed to think things over, "it is quite personal... besides it might sound foolish..."
"You sound like someone who wants to talk about it, if I may say so."
She smiled at that, although it did not reach her eyes.
There was a silence.
Finally, she said, "I have been in love, Professor."
"That happens to the best of us."
"And he is marrying."
Albus Dumbledore looked pointedly through the window.
"And not marrying you, obviously?"
"Obviously." She glared at him, but he could see she felt more herself already.
"Oh, you wouldn't believe how surprisingly important things can just happen without my knowledge at the most unseemly moments... But that is not the matter, in that instant... His loss, in my humble opinion, his loss."
"How so?"
"That he is not marrying you. I would think him to be a fool for rejecting you... but then, love has its ways..."
She seemed to shift uncomfortably, before telling him, "Well, in fact, I refused him."
She avoided his eyes.
"You make me curious," Dumbledore said, arching an eyebrow.
"It was years ago. He was a farm boy in Caithness. A Muggle. His name is Dougal. I had just left school, you know... and I did not want to..." her gaze drifted above the classroom, and she went silent.
"You did not want to?"
"I wanted to live as a witch. I did not want to hide."
"Would you have had to?"
"I don't know. I would have married a Muggle farmer in the Scottish countryside, you know. Not the ideal background for a magical career..."
"I suppose not. Pardon me for being oblivious to what it is to be a woman, in addition to being a witch."
"Anyway. I chose this life. I have it. I live at Hogwarts, and there could not be a more magical place in the world. I ought to be satisfied."
Albus Dumbledore looked at her and could see her steel herself. He could see her sit up and stiffen on the squashy old armchair he had transfigured. He felt sad.
"And yet you were crying."
"Foolishness."
"I am not so sure. For one, I have never known you to be a foolish person, Professor McGonagall. And secondly, love is hard on those of us who chose to resist..."
"It is long past. And he is marrying someone else, now. It is too late for regrets."
"I was not suggesting that you go after him."
"Then what?"
"I do not know. But I find that it helps to allow oneself the proper time for grief."
He could hear her sigh.
"It was years ago, you know."
"I know, I know, forgive an old man like me for not keeping track of time."
She smiled, at that. Somewhat sceptically. "You," she said, "are not an old man. You are using it as a rhetoric."
"Well, 76 this summer, my dear."
She quirk an eyebrow.
"Surprised?"
"You do look younger."
"So I am told, yes." He smiled and saw her look at the classroom, probably thinking of lessons for the next day, already. Minerva McGonagall was good at diluting problems in her work.
"And so," Dumbledore said, "you are satisfied with your life choices."
"I have to be."
"You have no regrets."
"What would it help?"
"You don't cry at night..."
"Of course not." She said it in a voice that was too strong to be true.
"Of course not, my dear. You wouldn't be the kind of woman that keeps her letters next to her bed, attached in a red ribbon."
"I... what... how do you... ?"
She looked outraged, and he knew instantly that it had been the wrong thing to say. Oh my, she kept his letters...?
"Come on, dear, this was a wild guess. I am sorry."
She looked at him fixedly. He suddenly felt exactly why her students would not think of disrupting her lessons in this same classroom. He looked at the desks around him and found himself amused. But it was obviously the wrong timing. He turned his mind back to the current cause of her ire.
"I swear I never searched your bedroom," he said.
He smiled, but she kept a stubborn face.
"And I don't bribe the house-elves."
Her expression finally relaxed, grudgingly. "Well, I am sorry, Professor... I guess you could not bribe a house-elf, anyway..."
"Oh, you would be surprised," he saw her squint, "but I don't, and I certainly would not want to intrude in such things..."
"I know you don't," she said defiantly.
Albus Dumbledore looked surprised.
"There is no ribbon, and the box is under my bed."
They both smiled at the feeble attempt at humour.
Albus Dumbledore still felt that he had trespassed on her intimate realm. And he did not like the tension.
"You know," he said, "as unintuitive as it may sound from an old man like me," she rolled her eyes but he went on, smiling, "I have also been in love, Professor."
This classroom was turning into the most interesting parlour for both of them. Albus Dumbledore fervently hoped that it was private enough. He quickly checked the door.
"I have been told that it happens to the best of us," she said slowly.
"And as you can see, we were not blessed with a happily ever after. Though that might have been my fault for a disastrous blindness in my choice of inclinations. And I do not think that he ever married, either."
"He?"
"Yes, well... yes." Dumbledore hesitated, "It was a long time ago. I had just left school, my father had passed away in Azkaban a few years earlier, and my mother died in an accident. My brother was of age, but I wanted him to go back to Hogwarts. I had to care for my sister. I was trapped. It was not a beautiful time. And I met the worst person possible under those circumstances."
He was pretty sure that was enough information to lose anybody. But she did not blink and immediately asked, "Who was he? Do I know him?"
Dumbledore looked at her for two whole seconds.
"He was Gellert Grindewald."
"Oh..."
Of course, that called for more explanation.
"My sister had been attacked as a child, because she was showing signs of magic, by three Muggle boys. She was left permanently branded, traumatized. My father was sent to Azkaban for having sought revenge on them. Ariana was never whole again, unable to control her magic, could not be sent to Hogwarts. And my mother died in an explosion of Ariana's magic. You can see how easy it would have been to convince me of the culpability of those Muggle boys, of the irresponsibility of Muggles in general... the necessity to control them..."
"Oh, you..."
Dumbledore wondered if it was disappointment or compassion in her voice. But it felt strangely good, anyway, to talk.
"I was young, and hurt. I would never advise to bottle up hurt and anger, even in order to do what one feels to be right and proper."
"And what happened?" she prompted him.
"A catastrophe, of course."
Minerva McGonagall looked at him.
"And my sister died."
Minerva McGonagall did not look at him any more.
"And I was never in good terms again with my brother."
None of them looked anywhere. Albus Dumbledore felt as if he stood naked in front of her. He was not used to people knowing of his past sins.
She spoke first. "Why did you tell me?"
"I apologise if I disappointed you, Professor McGonagall."
He knew she was looking at him, but for the moment, he felt better keeping his eyes on an empty point. She called him back to the present.
"Don't apologise..."
He finally gathered himself and nodded.
"I have admired you for as long as I can remember..." She resumed, "It is not a secret that you are the person that played the most important part in my life outside of my family." He could see her blush, but she continued, "And you have never disappointed me. I feel honoured that you would confide."
Albus Dumbledore felt his heart warm at that. And slowly levelled his eyes with hers as she added, "I apologize, Professor, if I have been brusque this evening. I hope that you know it was not against you. I owe you so much already..."
"Minerva, I can understand that one would be protective about private matters, and I will forgive your alleged brusqueness if you forgive my certain lack of tact. And consider that anything you owe me has just been repaid by accepting this confidence."
She looked like she slowly understood how important this was to him. He added, "To answer your unasked question, yes, you are the only one I ever willingly told about that."
"I am greatly honoured, Professor."
Some time passed in silence.
"And, Albus... that was about time, wasn't it?"
"Right, as always, my dear Professor, right you are."
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Latest 25 Reviews for Four Versions of June, 7th, 1957
9 Reviews | 9.56/10 Average
This one was even more different, and I actually thought they were going to cross that line into a potential romance. This four part piece was an interesting look at writing style and perspective. I liked it.
Response from graou (Author of Four Versions of June, 7th, 1957)
Thanks a lot for all those reviews from May. I don't know why I am only finding them now, but I appreciate them all the same! :-)
Response from graou (Author of Four Versions of June, 7th, 1957)
Thanks a lot for all those reviews from May. I don't know why I am only finding them now, but I appreciate them all the same! :-)
I like this one in its change or perspective. I can't say I've liked any of them more than another, but this one was different and I liked that. It's difficult to tell the same story multiple times and keep a readers interest. But I'm moving on to four, so you must be doing something right.
This was a nice moment between these two. You can see a budding friendship beyond mere colleagues. Looking forward to reading the next encounter.
It would be difficult to look at all of the single, childless teachers in the castle and not assume the same fate would befall you. It's good for both to have someone to confide in.
These different versions have been so interesting to read. I still think that the first one is the most intriguing and successful so far - although I am looking forward to the fourth version as it is your favourite. Version 3 seemed to lack a certain emotional intensity that you achieved by the more dramatic (and therefore more surprising) reveal in the first, that: 1. AD was gay/had had a gay relationship and 2. The object of AD's affections had been Grindelwald. I'd be interested in what you think objectively about the different versions - as this is an academic exercise.... Best wishes, Pxx
Response from graou (Author of Four Versions of June, 7th, 1957)
I am not sure that I see this as an academic exercise myself... or no more than writing a tenth or hundreth fanfiction on any very popular theme would have been...But I do think I have some elements of answer... Version 3 was mostly about switching to Dumbledore's point of view, hence, I suppose, the less dramatic reveal: because from Dumbledore's point of view, it is not a reveal. That said, after reading your review, I have been thinking about it in the underground today, and probably I have missed some of the tension that could have been there for Dumbledore. I think I have generally written Minerva better than I have written Albus in this story. Probably from the beginning, I have taken Minerva's point of vue on this, maybe because her character appeals to me (but then, so does Dumbledore), and most certainly because I have been under the influence of the source "cannon": this scene has originally been evoked by JKR as part of Minerva's life, not Albus'. And when I chosed to switch points of vues, probably I have not gone the whole way to really put it in perspective from Albus' side, build backstory-explicitely in the narration, as well as in the background, enriching my picture of him.As for the second version, I tried to distance the characters from each other, in order to make it fit better with the only scene we have from a rather (not that) early (really) Minerva and Albus, which would be on November, 1st, 1981. They are somewhat distant there: both obviously good friends, and very formal-more so than later in the books... I find it difficult to reconcile the characters I want to write with this data from the (beloved) first chapter of the first book. I should probably brush it off as a narrative effect because in Chapt 1 of Book 1, characters are new to the reader (and writer) and it just *makes* them more formal. I should. But if I am going to write fanfiction, then it puts me in a position where I somehow have to take canon as a source of facts and not a fabric of literary constructs open to my analysis... So either I write a fanfic universe in which 1981 is a somewhat difficult/tensed/ moment in their long relation, or they have not seen each other for a long time on that day (doubtful but possible), or... or they are not that casual with each other until later in the 80s. Which is what I tried in Version 2.Yes, I am probably too cannon-obsessed for my own good.The fourth version is certainly less canonical in spirit but more lively than 2 and 3 have been. I will look forward to reading what you think about it.Thanks for reviewing! :-)
Response from Proulxes (Reviewer)
I loved reading your response, graou! Please don't think I am being critical when I write about writing as an 'academic exercise' - I find the idea of exploring different ways of 'playing' a scene absolutely fascinating. I understand much better now why I didn't warm as easily to version 2, given what you have told me about your approach towards the characters. I am looking forward to version 4 for sure and as a fan of AU work I am particularly excited by the prospect. Thank you for your long and thoughtful reply to my review! Pxx
Response from graou (Author of Four Versions of June, 7th, 1957)
I am not sure that I see this as an academic exercise myself... or no more than writing a tenth or hundreth fanfiction on any very popular theme would have been...But I do think I have some elements of answer... Version 3 was mostly about switching to Dumbledore's point of view, hence, I suppose, the less dramatic reveal: because from Dumbledore's point of view, it is not a reveal. That said, after reading your review, I have been thinking about it in the underground today, and probably I have missed some of the tension that could have been there for Dumbledore. I think I have generally written Minerva better than I have written Albus in this story. Probably from the beginning, I have taken Minerva's point of vue on this, maybe because her character appeals to me (but then, so does Dumbledore), and most certainly because I have been under the influence of the source "cannon": this scene has originally been evoked by JKR as part of Minerva's life, not Albus'. And when I chosed to switch points of vues, probably I have not gone the whole way to really put it in perspective from Albus' side, build backstory-explicitely in the narration, as well as in the background, enriching my picture of him.As for the second version, I tried to distance the characters from each other, in order to make it fit better with the only scene we have from a rather (not that) early (really) Minerva and Albus, which would be on November, 1st, 1981. They are somewhat distant there: both obviously good friends, and very formal-more so than later in the books... I find it difficult to reconcile the characters I want to write with this data from the (beloved) first chapter of the first book. I should probably brush it off as a narrative effect because in Chapt 1 of Book 1, characters are new to the reader (and writer) and it just *makes* them more formal. I should. But if I am going to write fanfiction, then it puts me in a position where I somehow have to take canon as a source of facts and not a fabric of literary constructs open to my analysis... So either I write a fanfic universe in which 1981 is a somewhat difficult/tensed/ moment in their long relation, or they have not seen each other for a long time on that day (doubtful but possible), or... or they are not that casual with each other until later in the 80s. Which is what I tried in Version 2.Yes, I am probably too cannon-obsessed for my own good.The fourth version is certainly less canonical in spirit but more lively than 2 and 3 have been. I will look forward to reading what you think about it.Thanks for reviewing! :-)
Response from Proulxes (Reviewer)
I loved reading your response, graou! Please don't think I am being critical when I write about writing as an 'academic exercise' - I find the idea of exploring different ways of 'playing' a scene absolutely fascinating. I understand much better now why I didn't warm as easily to version 2, given what you have told me about your approach towards the characters. I am looking forward to version 4 for sure and as a fan of AU work I am particularly excited by the prospect. Thank you for your long and thoughtful reply to my review! Pxx
I love these poignant, intimate discussions of love found, love lost and the aftermath reflections--one can truly feel the deep understanding and friendship flowing between them--lovely work!xx
Love the beautiful narrative of a day in the life of Minerva and Albus--and what a poignant day it is--from the daily classroom antics to the lovely intimate scene between Dumbledore and McGonagall--can truly feel a deep friendship founded between these two--yum!!! Lovely, sensitive work--looking forward to more. And more. And more!
I love missing-moment fics, and this one takes on what I find a troubling aspect of J. K. Rowling's characterizations: the notion that several smart, talented people would allow a youthful first-love to become a driving factor for the remainder of their otherwise productive lives.Relatively few fics show us a believable youthful Minerva McGonagall, but in this fic, you give us a young, vulnerable woman--one with the fortitude and practicality that is a basic part of her nature--and her devastation at the news of Dougal's marriage feels real, even while she herself recognizes the foolishness (as she puts it) of allowing it to unsettle her so much.The scene in which Albus attempts to comfort Minerva is wonderful; it hints at a friendship that is necessarily colored by its past but is not defined by it.Albus' slow revelation of the story of his youth and love for Grindlewald is an exquisitely in-character--revealed with warmth and the best of intentions, but also with a bit of perhaps not-so-benign enjoyment at shocking his young colleague.Looking foward to more!
Response from graou (Author of Four Versions of June, 7th, 1957)
Thanks a lot for the long review. It definitely fuels motivation--especially coming from you, as I have been reading your stories for quite some time. :-)Anyway, chapter 2 is in the queue, and chapters 3&4 are written and waiting patiently for their turn.
Response from graou (Author of Four Versions of June, 7th, 1957)
I have been thinking about something you wrote here: it is troubling, indeed, that several main characters would allow a dramatic first love experience to rule the remainder of their sentimental life. Namely, if I am not mistaken, those would be Severus Snape, Minerva McGonagall and Albus Dumbledore. Other characters seem to do pretty well with successive teenage love stories--think Ginny! (Maybe JKR has a somewhat negative view of teachers' emotional resilience?) I do believe that Severus Snape is depicted as emotionally disturbed, has had part of his choices made permanent by those with whom he associated, and that's it. But as for Dumbledore and McGonagall, I would venture the hypothesis that JKR used that kind of backstory as a hack, or a shortcut: it is simply by far easier to evoke one long past event and dispell all possibility of romance from that point on, especially with such a large and diverse fandom scruting any opening, wondering, imagining, and investing each possible free space to clutter it with romantic hypotheses. In my opinion, at some point, JKR envisioned making Dumbledore and McGonagall a couple, and then changed her mind. The first books just point so much in that direction--and what of the night when Dumbledore and McGonagall find a petrified Colin Creevey in book two? Dumbledore says that McGonagall found him. Minerva says it's lucky Dumbledore wanted a hot chocolate. Are we to understand that in the middle of the night, Dumbledore, wanting a hot chocolate, knocked at McGonagall's door for a collegial walk to the kitchen in their night attire, and, strolling through the corridors, they stumbled upon Colin? Seriously? I am convinced that JKR originally envisioned and depicted the two as a couple. And then, for whatever reason, maybe the age difference, or the fact that Minerva has been Dumbledore's student, (or maybe what the fandom could make of that, and is sometimes making of that anyway), she backed out. And the "original love trauma forbidding anything else" was an easy way out.That's an hypothesis, anyway.
Response from graou (Author of Four Versions of June, 7th, 1957)
Thanks a lot for the long review. It definitely fuels motivation--especially coming from you, as I have been reading your stories for quite some time. :-)Anyway, chapter 2 is in the queue, and chapters 3&4 are written and waiting patiently for their turn.
Response from graou (Author of Four Versions of June, 7th, 1957)
I have been thinking about something you wrote here: it is troubling, indeed, that several main characters would allow a dramatic first love experience to rule the remainder of their sentimental life. Namely, if I am not mistaken, those would be Severus Snape, Minerva McGonagall and Albus Dumbledore. Other characters seem to do pretty well with successive teenage love stories--think Ginny! (Maybe JKR has a somewhat negative view of teachers' emotional resilience?) I do believe that Severus Snape is depicted as emotionally disturbed, has had part of his choices made permanent by those with whom he associated, and that's it. But as for Dumbledore and McGonagall, I would venture the hypothesis that JKR used that kind of backstory as a hack, or a shortcut: it is simply by far easier to evoke one long past event and dispell all possibility of romance from that point on, especially with such a large and diverse fandom scruting any opening, wondering, imagining, and investing each possible free space to clutter it with romantic hypotheses. In my opinion, at some point, JKR envisioned making Dumbledore and McGonagall a couple, and then changed her mind. The first books just point so much in that direction--and what of the night when Dumbledore and McGonagall find a petrified Colin Creevey in book two? Dumbledore says that McGonagall found him. Minerva says it's lucky Dumbledore wanted a hot chocolate. Are we to understand that in the middle of the night, Dumbledore, wanting a hot chocolate, knocked at McGonagall's door for a collegial walk to the kitchen in their night attire, and, strolling through the corridors, they stumbled upon Colin? Seriously? I am convinced that JKR originally envisioned and depicted the two as a couple. And then, for whatever reason, maybe the age difference, or the fact that Minerva has been Dumbledore's student, (or maybe what the fandom could make of that, and is sometimes making of that anyway), she backed out. And the "original love trauma forbidding anything else" was an easy way out.That's an hypothesis, anyway.
I enjoyed reading this - and I am looking forward to the other three versions of how this conversation could take place. An interesting idea to play with the same event from different perspectives. Best wishes, Pxx
Response from graou (Author of Four Versions of June, 7th, 1957)
Thanks for the review!Chapter 2 is in the queue--should come out in a few weeks time, depending on the workload of TPP admins, I guess. :-)
Response from Proulxes (Reviewer)
I'll look forward to it!
Response from graou (Author of Four Versions of June, 7th, 1957)
Thanks for the review!Chapter 2 is in the queue--should come out in a few weeks time, depending on the workload of TPP admins, I guess. :-)
Response from Proulxes (Reviewer)
I'll look forward to it!